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<title>Podroom - Blogger.ba</title>
<link>http://podroom.blogger.ba</link>
<description>sva ta buka / all that noise</description>
<item>
<title>things that fit my mood, but do not have much in common</title>
<guid isPermaLink="false">http://podroom.blogger.ba/arhiva/2008/04/17#1495440</guid>
<link>http://podroom.blogger.ba/arhiva/2008/04/17#1495440</link>
<description><![CDATA[&quot;nbsp;&quot;nbsp;&quot;nbsp; &quot;nbsp; &quot;nbsp; &quot;nbsp;&quot;nbsp;  &quot;nbsp;&quot;nbsp;&quot;nbsp; &quot;nbsp;&quot;nbsp;  &quot;nbsp;&quot;nbsp;  &quot;nbsp;&quot;nbsp;&quot;nbsp; 

the last links of my latest upload batch.
besides that, two dead links (six organs of admittance) have been replaced with some that work.

 

Autechre - Tri Repetae (1995)


Tim Hecker - Mirages (2004)


Haus Arafna - Blut - Trilogie Des Blutes/Nachblutung (2006)

 re-release of the 1996 original with 3 bonustracks.

 
Troum - Tjukurrpa (Part Three: Rhytms And Pulsations) (2003)

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Grunt - Early Years 93/94 (2003)

 compilation including songs from 5 first tapes from '93-94 perioid. harsh noise and power electronics, mostly instrumental, but with some vocals. all material recorded without effects, synth/computer. (no album cover found)
 ]]></description>
<comments>http://www.blogger.ba/komentari/61264/1495440</comments>
<author>postparanoid</author>
<pubDate>Thu, 17 Apr 2008 06:55:36 +0200</pubDate>

</item><item>
<title>vibracathedral orchestra - dabbling with gravity and who you are</title>
<guid isPermaLink="false">http://podroom.blogger.ba/arhiva/2008/04/11#1483519</guid>
<link>http://podroom.blogger.ba/arhiva/2008/04/11#1483519</link>
<description><![CDATA[

beyond shoegazing and drone-rock, there is neil campbell's vibracathedral orchestra, a leeds-based collective that draws inspiration from avant-garde composers of the 1960s and 1970s such as la monte young and pauline oliveros. campbell learned his craft in the the a-band, a project he shared with future gurus such as richard youngs. the orchestra works with a variety of acoustic instruments (violins, lutes, zithers, horns, bells, guitars, percussions) as well as electronic, creating droning, psychedelic, noise folk (yes, i made this term up), oriented by an oriental approach of music. 

this eastern touch is very noticeable on &quot;quot;dabbling with gravity and who you are&quot;quot;, where indian raga meets chaotic, colossal sonic structures. 


Vibracathedral Orchestra - Dabbling With Gravity and Who You Are (2002) 

http://www.myspace.com/vibracathedralorchestra
http://www.vibracathedral.co.uk/]]></description>
<comments>http://www.blogger.ba/komentari/61264/1483519</comments>
<author>postparanoid</author>
<pubDate>Fri, 11 Apr 2008 17:23:24 +0200</pubDate>

</item><item>
<title>keith fullerton whitman</title>
<guid isPermaLink="false">http://podroom.blogger.ba/arhiva/2008/04/10#1481574</guid>
<link>http://podroom.blogger.ba/arhiva/2008/04/10#1481574</link>
<description><![CDATA[&quot;nbsp;&quot;nbsp;&quot;nbsp; &quot;nbsp;&quot;nbsp;  &quot;nbsp;&quot;nbsp;&quot;nbsp;  
keith fullerton whitman is an american electronic musician who has recorded albums influenced by many genres, including ambient music, drill and bass, and krautrock. he records and performs using many aliases, of which the most familiar is hrvatski (the croatian word for croatian). his works under the hrvatski moniker hewed closest to the drill and bass  and were his primary musical outlet in the mid- to late- facet of IDM1990s. other solo aliases include  because they all feature ASCIII and anonymous. keith has been in many bands in the 1990s, including el-ron, the liver sadness, sheket/trabant, the finger lakes and gai/jin. (wiki)

&quot;quot;'antithesis' is a limited edition lp that collects ensemble works keith recorded in the various apartments he has rented in the boston, MA area.&quot;nbsp; the four tracks are called ensemble workswhitman overdubbing various instruments (guitar, fender rhodes piano, viola and percussion) and do not have any computer processing.&quot;nbsp; the material veers from sheer drone to neo-kraut drum circle ritual.&quot;quot; (kranky)

on &quot;quot;multiples&quot;quot;:
&quot;quot;how did he make this work? a series of rigorously focused single-instrument studies that seems to effortlessly telescope across the historical and technical spectrum of electronic music from varese to fennesz. but instead of being museum-grade mummy dust, this album is listenable as hell. you want to ride this ride again.&quot;quot;&quot;nbsp; (drew daniel, pitchfork  2005 top 50 albums)



Keith Fullerton Whitman - Antithesis (2004)


Keith Fullerton Whitman - Multiples (2005)
]]></description>
<comments>http://www.blogger.ba/komentari/61264/1481574</comments>
<author>postparanoid</author>
<pubDate>Thu, 10 Apr 2008 18:12:41 +0200</pubDate>

</item><item>
<title>lunar abyss quartet - zeleznaya voda</title>
<guid isPermaLink="false">http://podroom.blogger.ba/arhiva/2008/04/07#1475002</guid>
<link>http://podroom.blogger.ba/arhiva/2008/04/07#1475002</link>
<description><![CDATA[another project of  evgueny savenko from st. petersburg (see the post lunar abyss deus organum -&quot;gt; HERE).

&quot;quot;resonant engulfing dark ambient played on natural instruments. a perfect mix of russian pagan rituals and soulful atmosphere. recorded live in various moments in 1998-2002.&quot;quot; (equilibrium music)

limited edition of 500 copies, tracks are all untitled.


Lunar Abyss Quartet - Zeleznaya Voda (2002)
]]></description>
<comments>http://www.blogger.ba/komentari/61264/1475002</comments>
<author>postparanoid</author>
<pubDate>Mon, 07 Apr 2008 04:17:56 +0200</pubDate>

</item><item>
<title>rome - masse mensch material</title>
<guid isPermaLink="false">http://podroom.blogger.ba/arhiva/2008/04/05#1470749</guid>
<link>http://podroom.blogger.ba/arhiva/2008/04/05#1470749</link>
<description><![CDATA[&quot;quot;if you were mine /i 'd blush a little and die&quot;quot; 
(rome, &quot;quot;das feuerordal&quot;quot;)


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&quot;quot;after two successful albums, &quot;quot;nera&quot;quot; and &quot;quot;confessions d&quot;rsquo;un voleur d&quot;rsquo;ames&quot;quot;, rome blesses us with its 12-track-knock-out &quot;quot;masse mensch material&quot;quot; - which holds more than one musical surprise! rome&quot;rsquo;s particular brand of post-industrial folk, combined with new-wave song-writing and neo-classical arrangements, takes on a new and poppy twist. but these outstanding songs have way too much depth to be dismissed as mere pop music. this third album is of a more subtle darkness and probably rome&quot;rsquo;s best work to date. 

a work of art of extreme sincerity, &quot;quot;masse mensch material&quot;quot; revolves around the themes of love, faith and endurance. rome has created a fascinating world of contradictions which each song lays out with clarity and with all the cruelty and kindness intact. within a very short period of time and at a terrifying pace, workaholic mastermind jerome reuter has carved his own path and created and established a dominion of his own, with its own codes and values. through its bitter sweet melodies of exquisite sadness and rebellion, its haunting lyrics, mesmerizing vocals and recordings of unmatched production and sound, rome has become the new face of dark romanticism. jerome&quot;rsquo;s voice echoes pride and death of a time and place long forgotten. a voice which becomes the axis that breaks one&quot;rsquo;s consciousness into some kind of tender submission. let yourself be buried in the shade of this masterpiece, in the beauty of desperation!&quot;quot; (cold meat industry)

as you can see, this review has directly been taken from the label that released &quot;quot;masse mensch material&quot;quot;, so i'm afraid the description might be a bit pretentious. the album, nevertheless, sounds good, diverse and, indeed, mature. but rome makes music that you have to put away for a while, after first listening. as time passes, you'll probably see clearer and will know, whether you like it or not. 


Rome - Masse Mensch Material (2008)
myspace.com/romecmi]]></description>
<comments>http://www.blogger.ba/komentari/61264/1470749</comments>
<author>postparanoid</author>
<pubDate>Sat, 05 Apr 2008 02:01:22 +0200</pubDate>

</item><item>
<title>andrey kiritchenko - 00.00 (a suite of the midnight)</title>
<guid isPermaLink="false">http://podroom.blogger.ba/arhiva/2008/04/04#1469893</guid>
<link>http://podroom.blogger.ba/arhiva/2008/04/04#1469893</link>
<description><![CDATA[&quot;nbsp;&quot;nbsp;&quot;nbsp; &quot;nbsp;&quot;nbsp;  &quot;nbsp;&quot;nbsp;  

ukrainian electronic artist andrey kiritchenko started his musical career in 1995 as singer, song-writer and guitar player. being involved mostly in experimental electronic and electro-acoustic music for the last few years, andrey is now gaining recognition among the musicians and followers of this style all over the world. his activities range from glitch with blurred beats to electro-acoustic experiments, from improv to musique concrete, from drones to microsound.
in 2000, kiritchenko founded nexsound, an ukraine based independet record label, that is currently operated by dmytro fedorenko (kotra) as well.
nexsound mostly releases experimental music from almost all possible fields and genres - from improv post-rock and ambient to radical noise and microsound. at this moment today, nexsound is the main label for all ukrainian experimental electronic music. 
counting other side-projects and aliases that kiritchenko has used, he released more than 30 records - for labels like spekk, ad noiseam, zeromoon, staalplaat, and of course nexsound.&quot;nbsp; 

&quot;quot;00.00&quot;quot; is a very glitchy and minimal work, with extremely dynamic and precise sounds. it takes the best out of the recent clicks'n'cuts scene and never gets boring.

&quot;quot;very innovative, but really efficient and neither too long, too repetitive nor too exeperimental, here is once again an album that i will cherish (...).&quot;nbsp; whatever you might think of calm, clicky and bleepy music, do yourself a favor and check out something by andrey kiritchenko, may it be this or the sidhartha [editor's note: sidhartha is one of andrey's side-projects] albums. they are really among the best of the breed for that type of music.&quot;quot; (recycleyoureyes.com)



Andrey Kiritchenko - 00.00 (A Suite Of The Midnight) (2002)

nexsound.org
myspace.com/kiritchenko
 
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]]></description>
<comments>http://www.blogger.ba/komentari/61264/1469893</comments>
<author>postparanoid</author>
<pubDate>Fri, 04 Apr 2008 20:03:50 +0200</pubDate>

</item><item>
<title>fushitsusha - withdrawe, this sable disclosure ere devot'd</title>
<guid isPermaLink="false">http://podroom.blogger.ba/arhiva/2008/04/02#1465068</guid>
<link>http://podroom.blogger.ba/arhiva/2008/04/02#1465068</link>
<description><![CDATA[ &quot;nbsp;&quot;nbsp;&quot;nbsp; &quot;nbsp;&quot;nbsp;  &quot;nbsp;&quot;nbsp;  &quot;nbsp;&quot;nbsp;  &quot;nbsp;&quot;nbsp;  &quot;nbsp; &quot;nbsp;&quot;nbsp;&quot;nbsp; &quot;nbsp;&quot;nbsp;  &quot;nbsp;&quot;nbsp;  &quot;nbsp;&quot;nbsp;  &quot;nbsp;&quot;nbsp;  

the main unchanging member of fushitsusha, a japanese psychedelic/noise rock band, is guitarist and master mind keiji haino. they were mainly active in the nineties, playing music that was influenced by krautrock and british psychedelic music from the 70s and 80s. their first record was released on john zorn's label avant. 

&quot;quot;'withdrawe, this sable disclosure ere devot'd' chronicles fushitsusha's live performance over canadian radio, and listeners are certainly in for a a shock. a combination of live versions of &quot;quot;pathetique&quot;quot; and &quot;quot;hazama&quot;quot; are soul-destroying, but gargantuan peak of this release is &quot;quot;vertigo&quot;quot;, an epic seventeen minute-track of spiralling sound.&quot;quot;&quot;nbsp; (ian smith)


Fushitsusha - Withdrawe, This Sable Disclosure Ere Devot'd (1997)
]]></description>
<comments>http://www.blogger.ba/komentari/61264/1465068</comments>
<author>postparanoid</author>
<pubDate>Wed, 02 Apr 2008 05:49:21 +0200</pubDate>

</item><item>
<title>oren ambarchi - insulation</title>
<guid isPermaLink="false">http://podroom.blogger.ba/arhiva/2008/03/30#1461002</guid>
<link>http://podroom.blogger.ba/arhiva/2008/03/30#1461002</link>
<description><![CDATA[ 

&quot;quot;oren ambarchi is a composer and multi-instrumentalist with longstanding interests in transcending conventional instrumental approaches. his work focuses mainly on the exploration of the guitar, &quot;quot;re-routing the instrument into a zone of alien abstraction where it&quot;rsquo;s no longer easily identifiable as itself. instead, it&quot;rsquo;s a laboratory for extended sonic investigation&quot;quot;. 
ambarchi's work on harmonics and resonance has led him to define serene spaces of fluid, shifting sound that is both fragile and extremely physical.

he is involved in many collaborative projects including the song-based duo sun with chris townend (releases on staubgold, preservation, textile &quot;amp; important records), burial chamber trio together with greg anderson of sunn 0))) &quot;amp; atilla csihar of mayhem (with a recent lp release on southern lord &quot;amp; an upcoming 10&quot;quot; release) and grave temple with csihar and stephen o'malley of khanate &quot;amp; sunn 0))).&quot;quot; (orenambarchi.com)


Oren Ambarchi - Insulation (1999)

orenambarchi.com
myspace.com/45213783]]></description>
<comments>http://www.blogger.ba/komentari/61264/1461002</comments>
<author>postparanoid</author>
<pubDate>Sun, 30 Mar 2008 20:50:03 +0200</pubDate>

</item><item>
<title>alva noto + ryuichi sakamoto - insen</title>
<guid isPermaLink="false">http://podroom.blogger.ba/arhiva/2008/03/29#1459275</guid>
<link>http://podroom.blogger.ba/arhiva/2008/03/29#1459275</link>
<description><![CDATA[


F.decorate(_ge('button_bar'), F._photo_button_bar).bar_go_go_go(170633375, 0);



    
        
            
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a very successful collaboration project between german minimal electrlonic artist carsten nicolai (also known as alva noto or noto.) and japanese ultra-minimalist ryuichi sakamoto. they released four sound carriers until now - &quot;quot;vrioon&quot;quot;, &quot;quot;insen&quot;quot;, &quot;quot;revep ep&quot;quot; and &quot;quot;insen live dvd&quot;quot;.&quot;nbsp; their music can be described as minimal piano sounds featuring clicks 'n' cuts. it is the music you'd like to hear on an early sunday morning. when it rains outside.



Alva Noto + Ryuichi Sakamoto - Insen (2005) 
]]></description>
<comments>http://www.blogger.ba/komentari/61264/1459275</comments>
<author>postparanoid</author>
<pubDate>Sat, 29 Mar 2008 21:37:15 +0100</pubDate>

</item><item>
<title>v.a. - kosmoloko</title>
<guid isPermaLink="false">http://podroom.blogger.ba/arhiva/2008/03/29#1457706</guid>
<link>http://podroom.blogger.ba/arhiva/2008/03/29#1457706</link>
<description><![CDATA[germany is nowadays a country with a respectable and highly established&quot;nbsp; power electronics scene. among the german labels that keep this scene various and alive is galakthorr&quot;ouml;. it's run by mr. and ms. arafna, who create magnificent, disturbing sounds in projects like haus arafna&quot;nbsp; and november n&quot;ouml;velet. on the occassion of&quot;nbsp; galakthorr&quot;ouml;'s tenth jubilee, they released the compilation &quot;quot;kosmoloko&quot;quot; with cover art just as pleasant as the release.

&quot;quot;this is a compilation comprised of two new and exclusive titles each from haus arafna, karl runau, maska genetik, november n&quot;ouml;velet and subliminal, together on one disc. the artists have lovingly presented their diverse and individual styles. a birthday present for mother galakthorr&quot;ouml;.&quot;quot; (galakthorroe.de)


VA - Kosmoloko (2004) 
]]></description>
<comments>http://www.blogger.ba/komentari/61264/1457706</comments>
<author>postparanoid</author>
<pubDate>Sat, 29 Mar 2008 05:32:08 +0100</pubDate>

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